Hear Me Now

This book explores the vital contributions of Black potters in Edgefield, South Carolina, showcasing their artistry and cultural significance in Nineteenth-century stoneware.

In Hear Me Now, the rich history of Nineteenth-century stoneware crafted by both enslaved and free potters in Edgefield, South Carolina, is brought to light. This book emphasizes the pivotal role that Black artists played in shaping the region's pottery traditions, showcasing their artistry and resilience. The catalogue serves as a vital resource for understanding the cultural significance of these works and the artists behind them.

The text delves into the development of industrially scaled Southern pottery, focusing on the contributions of Black potters during the mid-nineteenth century. Among the notable pieces featured are exquisite face vessels and the remarkable works of David Drake, an enslaved potter and poet known for his unique ability to inscribe verses on his jars despite the prohibitions against literacy for enslaved individuals. The essays within the book critically examine the complexities of collecting and interpreting these objects, offering fresh perspectives on their historical context.

Additionally, Hear Me Now includes contemporary works that draw inspiration from Edgefield stoneware, highlighting its lasting cultural impact. An insightful interview with contemporary artist Simone Leigh further underscores the relevance of these historical pieces in today's artistic landscape. This book not only celebrates the artistry of the past but also invites readers to reflect on the ongoing significance of these narratives in contemporary discussions of art and history.