AfterWord
Conjuring the Literary Dead
Format:Paperback
Publisher:University of Iowa Press
Published:1st May '11
Currently unavailable, and unfortunately no date known when it will be back

If you could meet one deceased literary figure, who would that be? What would you ask? What would you say, and why? In AfterWord: Conjuring the Literary Dead, eighteen distinguished authors respond to this challenge by creating imagined conversations with a constellation of British and American authors, from Samuel Johnson to Jane Austen to Samuel Beckett to Edith Wharton.
Each chapter embarks on an intellectual, emotional, and often humorous voyage as the layers of time are peeled away, letting readers experience authors as they really were in their own era or, on occasion, transported to the present. As eccentric as it is eclectic, this collection takes the audience on a dizzying descent into a literary Inferno where biographers, novelists, and critics eat the food of the dead and return to tell the tale. Readers will take great pleasure in seeing what happens when scholars are loosed from the chains of fact and conduct imaginary interviews with deceased authors.
Covering 200 years of literary history, the essays in AfterWord draw upon the lifelong, consuming interest of the contributors, each fashioning a vivid, credible portrait of a vulnerable, driven, fully human character. As contributors appeal to what Margaret Atwood calls the deep human desire to “go to the land of the dead, to bring back to the living someone who has gone there,” readers are privy to questions that have seldom been asked, to incidents that have been suppressed, to some of the secrets that have puzzled readers for years, and to novel literary truths about the essential nature of each author.
As in Edgar Lee Masters's Spoon River Anthology, the dead here communicate freely and imaginatively with the living—nearly 20 literary greats altogether—through essays, interviews, and playlets. The presentations and subjects are not all of equal value, and curiously, none of the subjects predates the 18th century: no conversations with Homer, Dante, or Shakespeare. This communion with the spirits includes a house call by Jeffrey Meyers on Dr. Johnson, who expounds on the fallacies of the American Revolution and the even more combustible topic of women; Cynthia Ozick's interview with a maddeningly elusive Henry James; Margaret Drabble's restrained essay on Arnold Bennett. Touching on the motivating fear of death inherent in the nature of authorship, these last two (previously published) pieces are among the most polished. An occasional jealousy or rivalry flares from the grave: Edith Wharton wants Pearl Buck (and us) to know that the Nobel Prize should have gone to her. But in many ways this fun idea fizzles into an academic approach presaged by a terribly sober-sided introduction.- Publishers Weekly;
“Leavening its gothic logos with a bit of fanciful mythos, this eccentric and compelling volume provides rich and often surprising reading. What else could one ask of a book that seeks congress with corpses?”- Sean Latham, author, The Art of Scandal: Modernism, Libel Law and the Roman à Clef
ISBN: 9781587299896
Dimensions: unknown
Weight: 344g
240 pages