You Can Be the Last Leaf

Praise for You Can Be the Last Leaf

“The Palestinian poet’s U.S. debut gathers two decades of her intimate testimony about private life in a public war zone, where ‘those who win by killing fewer children / are losers.’”—New York Times

“The Palestinian poet’s U.S. debut gathers two decades of her intimate testimony about private life in a public war zone, where ‘those who win by killing fewer children / are losers.’”—New York Times “Al-Hayyat's latest devastating and courageous collection captures the precarious everyday lives of Palestinians with enormous empathy and glistening clarity . . . The vivid translations by Fady Joudah will jostle readers into discomfort and pin Al-Hayyat's stunning voice into their ears.”—Booklist

“There is so much grief and laughter in this collection, loss and love, as we watch the poet over time in an unending occupation. This unceasing violence seeps into her interior world too, her home and mind. But she still fiercely demands space for desire, laughter, and hope.”—Pierce Alquist, Book Riot

“Abu Al-Hayyat explores the broader political and geographic aspects of Palestinian life under colonial rule while at the same time interweaving the quotidian aspects of life and loss in such settings. Within these frictions of exterior trauma and private contemplations, large constraints and small freedoms, these poems soar.”—Chicago Review of Books

“These poems are the sustaining crumbs that Al-Hayyat has strewn onto the road of our consciousness. Perhaps they will help us find our way home. Perhaps they already are home, the home we construct from the remnants of the dreams that are left to us amid the tumult of our times.”—Words Without Borders

"You Can Be the Last Leaf is a collection of selected poems from Abu Al-Hayyat’s four poetry collections . . . it gives the reader a window into the impressive journey that the poet has charted from her first poetry collection . . . This translation is necessary because Abu Al-Hayyat is fierce, impressive, and unapologetically herself. Her work takes the reader on a rollercoaster of emotions anchored in truth. In her poems, the reader experiences life as it is, with its round and broken wholeness. Abu Al-Hayyat writes in a clear and concise fashion about loss, grief, fear, hope, and love echoing her experiences as well as what she witnesses in Palestine."—Tel Aviv Review of Books

“[Maya Abu Al-Hayyat] dreams, and I would like to dream with her, of the joys that can still be found.”—Susanna Lang, RHINO

“‘What if / I find what I’m looking for?’ asks the poet, a question both disarming and succulent in one of this collection’s many gently immovable poems. How singular the ordinary is, the poet shows, spotlit as it is against the world’s unending violence. Only a poet of great love like Maya Abu Al-Hayyat could claim both that ‘love dies’ and is ‘worth a thousand loves’ with ‘two hands.’ ‘Are we human?’ the poet also asks. There is no good answer, but we would be foolish to ignore the question. Props must be given to translator Fady Joudah for so sheerly rendering this collection to us undeserving English-speaking readers; I hope we can appreciate the enormity of this gift.”—Tarfia Faizullah

“Each poem in Fady Joudah’s translation of Maya Abu Al-Hayyat’s, You Can Be the Last Leaf arrives whole, a fluid thought, like one long drink of cold water that quenches a deep thirst…Joudah skillfully renders Abu Al-Hayyat’s straightforwardness while also capturing tonal undercurrents of self-incrimination and—most importantly—love.”—Mira Rosenthal, Words Without Borders

“These are poems of understated beauty, understated violence. They both return, conjoined, compelling the reader after the book is put down and picked up again, again. It’s a book of quotidian Palestinian existence, where ‘every time I leave the house / it’s suicide,’ a book of love in all its varieties, maternal, sororal, blithely erotic, of hope and of despair. Although the poet eschews overt narrative, myriad stories are interwoven here, in the warp and woof of a lyric poetry, seamlessly rendered from language to language by fellow-poet Fady Joudah.”—Marilyn Hacker

“The poems in You Can Be the Last Leaf are told in vignettes, addresses, and near aphorisms. They chronicle the intimate, the sensual worlds that churn despite a colonial cruelty bored with itself—the worlds of children and lovers, diseases and flesh. Frank, wry, devastating, Maya Abu Al-Hayyat’s work is an absolute gift to behold, crystalline in Fady Joudah’s translation, renewing my faith in language and the houses it can build. This is a powerful introduction to a poet who knows, ‘They will fall in the end, / those who say you can’t.’”—Solmaz Sharif

“Maya’s poetry is breathtaking in its specificity and rendering of heart, land, loss, and love alike.”—Hala Alyan

“Maya Abu Al-Hayyat’s brilliant secret is that she holds none. Here language is illuminated with the clarity of one who releases cogitation like pigeons. She writes manifestos with self-destruct buttons for all to push.”—Fady Joudah, author of Tethered to Stars

Praise for Fady Joudah’s Translations

“As a translator of poetry myself, I know the danger, frustration and the joy in the process of catching the fire from the original and delivering it through/into another language, another culture, another sentiment. Mr. Joudah delivered with such grace and power. My salute to Mr. Joudah, as translator to translator, as poet to poet.”—Judges’ Citation, Griffin Poetry Prize

“Translating writing of [Mahmoud Darwish’s] ambition—its radical, willed instability as well as its beauty—requires a delicate and thoughtful ear. . . . These fine translations will consolidate [Joudah’s] reputation. They also allow us to hear—in their fidelity to offbeat punctuation and lineation, to nuances of quotation and allusion—something of the formal innovation of the original.”—The Guardian

“No poet is as closely associated with contemporary Palestinian identity as Darwish . . . but, as this superbly translated selection of poems proves, the work resists classification, ranging over such themes as memory, inheritance, and exile.”—New Yorker

“As Neruda, Szymborska, Paz, and Ritsos offered American poets new possibilities for language and spirit in the past, so, too, does Darwish now. He has, in Joudah’s startling and tensile English, expended into us a new vastness.”—Kenyon Review

“Joudah’s translation offers a window into a masterful poet’s [Ghassan Zaqtan’s] oeuvre and enriches the English-language reader’s library with poems of soft-spoken wonder and hard-edged silences.”—World Literature Today