The Last Quarter of the Moon

• Physical galley quantities available for the PGW sales force, major media, poetry media, translation media, environmental media, booksellers and librarians; digital galleys available for download on Edelweiss
  
• Galley campaign to influential Chinese, Asian-American, and Indigenous authors, writers, and reviewers
• National media publicity campaign as well as planned outreach to translation outlets and outlets with special interest in indigenous and Chinese culture
• Advertising with World Literature Today, the Asian American Writing Workshop and the American Literary Translators Association
• Promotional partnership with CALIBA and NAIBA with targeted advertising and promotions to New York City and California/Los Angeles booksellers and readers
• Digital marketing through the publisher to communities of more than 40K readers and buyers, with special push to academic market for course adoption
• Targeted Academic outreach
• Title and series Reader’s Guides available for download
• Digital marketing through the publisher to promote the Seedbank series

The North American debut of one of China’s most celebrated authors, “Chi Zijian’s beautifully realised novel offers a detailed portrait of a way of life hard to imagine today” (The Independent).

At the end of the twentieth century, an intergenerational Indigenous family of the Evenki tribe living deep in the forested mountains of China’s eastern edge encounters existential change. An elder spins the daily tales of community drama against the fray of Chinese, Japanese, and Russian nation-building and resource extraction. As our narrator’s world is forced to the margins of empire and industrialization, her abiding and tender attention to her people’s core relationships—human, animal, spiritual, environmental—becomes itself an act of resistance.

In Bruce Humes’s inspired translation, acclaimed author Chi Zijian gives us an unabashedly intimate account of how an entire culture can be pushed to the vanishing point over the course of one lifetime. Through distinctive pace and slowness, the book renders an Evenki experience of interdependence and reciprocity with the natural world, where wilderness is infused with domestic life and spiritual intervention. From reindeer herding and ice fishing, to Shamanic songs and rites, to tallies of marriages, births, and deaths, this nomadic clan contends with preserving traditions and legacy alongside the threat of progress and displacement.

This essential addition to the Seedbank series shows real lives that don’t conform to the march of modernization, speaking profoundly to real endangerment of Indigenous communities and knowledge across the world. “When I look again at the fawn that is nearer and nearer to us, it feels as if the pale-white crescent has fallen to the ground,” our narrator concludes. “I’m crying, because I can no longer distinguish between heaven and earth.” 

This epic, internationally recognized work humbly challenges us to see that all is shared and interconnected—joy and loss, creatures and peoples, the material and the magical.