trans(re)lating house one

Praise for trans(re)lating house one

A Library Journal Best Debut Novel of Fall 2019
A Millions Most Anticipated Book of 2020

“An ambitious, important book, erudite and anguished, about the role of writer as witness.” —Kirkus

“Missaghi’s lyrical, meditative debut merges fiction, poetry, and critical study to explore Iran’s history and volatile present. . . . a bravura exhibition of writing as performance art.” —Publishers Weekly

“Missaghi writes in a distinctively lyrical and meditative voice that often feels like prose poetry. . . . Astonishing reading for the sophisticated.” —Library Journal

“Missaghi. . . uses a fragmented style, veering from journalism to magical realism, to tell a fragmented story that produces no answers, only questions: ‘Will the trauma ever stop being inherited? Will humans ever change?’” —The Millions

“Written with an eye to probing human experience, cracking open the English language, and portraying life in the U.S. and Iran with a crisp honesty.” —Ploughshares

“Missaghi asks the reader to pay attention to how each text segment juxtaposes with surrounding segments and informs the work as a whole. . . . by engaging in the process of reading her book, we are creating our own map of the city’s story.” —Colorado Review

“A haunting political cartography, trans(re)lating house one is an evocative hybrid novel about the struggle to map the scars of our dead and disappeared.” —Azareen Van der Vliet Oloomi

“poupeh missaghi has fashioned a novel that bears clear-eyed witness and calls into question the act of witnessing, that beautifully renders a time and a place and interrogates whether such an endeavor is possible at all.” —Laird Hunt

“This is a rare and remarkable book.” —Daniel Borzutzky