East Indian Music

This book provides an in-depth look at the evolution of Indo-Caribbean music, emphasizing the distinct cultural contributions of its people. East Indian Music highlights both traditional and contemporary forms.

The book East Indian Music explores the rich social and cultural evolution of the Indo-Caribbean community, often overlooked in discussions about Caribbean identity. It highlights a group sometimes dismissed as mere foreigners, perpetuating their ancestral culture without truly integrating into the Caribbean fabric. Through a detailed examination of traditional musical forms, particularly tan-singing and chutney, the book offers insights into how these art forms reflect both historical roots and contemporary transformations.

Tan-singing, also known as local-classical music in Trinidad and Guyana, showcases the unique blend of Indian heritage and Caribbean influences. Mangal Patasar's analogy regarding the evolution of this music underscores its distinctiveness, developed by the descendants of indentured laborers who arrived in the West Indies from colonial India. In contrast, chutney music emerges as a vibrant expression of cultural revival, blending folk traditions with modern influences, and serving as a platform for female empowerment and a redefined national identity.

East Indian Music ultimately serves as a portrait of a dynamic diaspora community. It challenges the notion that Indo-Caribbean people lack history, illustrating their active participation in the cultural and political landscapes of their countries. The book is an engaging resource for students and enthusiasts alike, offering a guided exploration of the complexities and vibrancy of Indo-Caribbean musical culture.