Woldemar Neufeld's Canada

``What a wonderful book! Woldemar Neufeld's Canada is simply superb; it is one of the best and most informative accounts I have read. It links art and culture in a magical way.... I have recommended the book to a number of people and community leaders who are interested in better understanding the community of which we and they are part. This book is invaluable to them.'' -- Kenneth McLaughlin, Distinguished Professor Emeritus, St. Jerome's University,University of Waterloo, local historian, and author -- 201002
``This volume on the work of landscape painter Woldemar Neufeld is a welcome addition to the short list of books on Mennonite art. The monograph includes five illustrated biographical chapters ... followed by ninety-one pages of beautifully reproduced drawings, paintings, and prints that are interspersed with biographical notes.... Woldemar Neufeld's Canada provides compelling glimpses of the histories of Russian Mennonites and the early-Modern Canadian art world that will be new to many readers. Though a fully indexed and genuinely critical assessment of Neufeld's artistic contribution might have been more important, this is still a valuable introduction. Some Anabaptist communities have certainly suppressed artistic inclinations, but somehow Neufeld's art flourished. In fact, because the authors and editors paint a portrait of Neufeld's art as a nearly perfect biographical reflection, it almost seems as though he succeeded because of his religious heritage rather than in spite of it. Neufeld's historical scenes have obvious 'humble' appeal to a people more focused on community than on individuality, more enamored with tradition than with provocation. In that respect, the fact that Neufeld's history--and not his art--is the most compelling part of the story is one of the most revealingly 'Mennonite' aspects of the book. But it is more than the historical orientation of the monograph and the historical content of Neufeld's compositions that make his work arguably 'Mennonite.' To some extent it is also the techniques he used. Just as Mennonite churches often eliminate mystery and amplify architectural austerity in the name of economy and humility, Neufeld developed his brightly lit illustrations in the name of clear-eyed reportage. In the end, his paintings are washed in the same uniform florescence as the un-dimmable, but eminently cost-efficient, light fixtures that illuminate Mennonite churches throughout North America.'' -- Jon Yoder, Syracuse University -- The Mennonite Quarterly Review, 01/2012
``This lavishly illustrated book records the work of Mennonite artist Woldermar Neufeld (1909-2002).... [The] paintings go beyond nostalgia because Neufeld's achievement was to record what is there in such a way that it is simultaneously a recording of what is lost.'' -- Magdalene Redekop -- University of Toronto Quarterly, Volume 81, number 3, Summer 2012
``Beautifully designed and elegantly produced.'' -- UW Daily Bulletin (University of Waterloo), 03/2010