The False Laws of Narrative

``The quest for a wider audience for poetry may be quixotic, but this series makes a serious attempt to present attractive, affordable selections that speak to contemporary interests and topics that might engage a younger generation of readers. Yet it does not condescend, preferring to provide substantial and sophisticated poets to these new readers. At the very least, these slim volumes will make very useful introductory teaching texts in post-secondary classrooms because they whet the appetite without overwhelming.'' -- Paul Milton -- Canadian Literature, 193, Summer 2007, 201003
``Wah's attention to the local is meticulous. It is also very inventive.... Cabri's...critical work in False Laws provides a sophisticated, wide-ranging analysis of Wah's generic/theoretical concerns (the collage epic, the sound of language, hybrid identity) and his main historical influences (William Carlos Williams, the Black Mountain poets).... [A] well-edited collection and a solid step towards the wider circulation of Wah's poetry.'' -- David Barrick -- matrix, #85, 201003
``It's about time...that someone came along to write a book such as this. And it's a pleasure to see it as part of the Laurier Poetry Series, which has achieved a standard of excellence that other institutions should be admiring and emulating.... The False Laws of Nature is an excellent selection of Wah's poetry from his earliest to his most recent. Cabri demonstrates not just an understanding of but a profound respect for Wah both as an individual and as a poet. Cabri has created the standard by which all others should be judged.'' -- John Herbert Cunningham -- Prairie Fire Review of Books, Volume 10, number 2, October 2010, 201010
``Louis Cabri offers a marvelous map of Wah's concerns.... Fred Wah is a modernist with a difference; one hopes that they (and significant others) point us toward a future poetics of negotiated, rather than enforced, differences.'' -- Susan M. Schultz -- Tinfish Editor's Blog, 200911