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Crafting Dissent

Handicraft as Protest from the American Revolution to the Pussyhats

Hinda Mandell editor

Format:Paperback

Publisher:Rowman & Littlefield

Published:28th Apr '21

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Crafting Dissent cover

Pussyhats, typically crafted with yarn, quite literally created a sea of pink the day after Donald J. Trump became the 45th president of the United States in January 2017, as the inaugural Women’s March unfolded throughout the U.S., and sister cities globally.

But there was nothing new about women crafting as a means of dissent.

Crafting Dissent: Handicraft as Protest from the American Revolution to the Pussyhats is the first book that demonstrates how craft, typically involving the manipulation of yarn, thread and fabric, has also been used as a subversive tool throughout history and up to the present day, to push back against government policy and social norms that crafters perceive to be harmful to them, their bodies, their families, their ideals relating to equality and human rights, and their aspirations. At the heart of the book is an exploration for how craft is used by citizens to engage with the rhetoric and policy shaping their country’s public sphere.

The book is divided into three sections: "Crafting Histories," Politics of Craft," and "Crafting Cultural Conversations."

Three features make this a unique contribution to the field of craft activism and history:

  • The inclusion of diverse contributors from a global perspective (including from England, Ireland, India, New Zealand, Australia)
  • Essay formats including photo essays, personal essays and scholarly investigations
  • The variety of professional backgrounds among the book’s contributors, including academics, museum curators, art therapists, small business owners, provocateurs, artists and makers.

This book explains that while handicraft and craft-motivated activism may appear to be all the rage and “of the moment,” a long thread reveals its roots as far back as the founding of American Democracy, and at key turning points throughout the history of nations throughout the world.

For historians, the blend of the diverse essays is helpful in that it encourages linking past (and the history of crafts used for resistance and activism) to present (successful models of craft for political and economic engagement). This type of connection can only deepen our understanding of the history of craft for activism (or craftivism), and our representation of it in our museum collections and writing. For readers interested in engaging in craft for dissent, the lessons of activist crafting, both in the distant and more recent past, are valuable in making decisions about how to carry out craft-based actions.

* New York History *
Hinda Mandell’s comprehensive anthology arrives three years after the 2016 U.S. Presidential election and the advent of craftivism’s third wave, a ripe time for an in-depth examination of political craft. The talented authors cover a lot of ground — from early Roman resistance to the Pussyhats of today — and much like the field’s communal ethos, their combined efforts result in a collective potency. Together, the contributors illuminate the many ways in which craft offers agency, cultivates resiliency, and strengthens our social fabric. As a museum curator and engaged citizen, I will be keeping this volume close at hand. -- Beth C. McLaughlin, chief curator of exhibitions and collections, Fuller Craft Museum
Refreshingly, the contributors in this volume do not present a tidy, celebratory, step-by-step guide to handmade activism, instead they address the many contingencies of both craftivist discourse and action as they engage with issues of race, class, gender, and power. They show that handwork wielded by engaged citizens has the power to reshape the stories we build our cultures around while simultaneously requiring similarly critical transformation itself. -- Sonja Dahl, artist, writer, activist
In a word, empowering. After reading Crafting Dissent: Handicraft as Protest from the American Revolution to Pussyhats I had to spend time reflecting with my needle and thread. This collection of thoughtful essays empowers through its stories of handicraft as it is tied to social justice. Women have had a voice for centuries, but sometimes it has had to be vocalized through their crafty creations. -- Sarah Marsom, heritage resource consul

ISBN: 9781538156100

Dimensions: 229mm x 155mm x 20mm

Weight: 481g

360 pages