On Painting
Courses, March-June 1981
Gilles Deleuze author Charles J Stivale translator David Lapoujade editor
Format:Paperback
Publisher:University of Minnesota Press
Publishing:12th Aug '25
£27.99
This title is due to be published on 12th August, and will be despatched as soon as possible.
This paperback is available in another edition too:
- Hardback£120.00(9781517918392)

Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on painting
From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.
Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?
Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept.
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"Gilles Deleuze’s lectures on painting explore catastrophe and its relation to the birth of color via a confrontation with prepictorial chaos based on the “diagram,” which generates different modulations of flesh and color. The result is a text that will have the same revolutionary impact on art history and studio practice that his two Cinema books have had on film studies." —Colin Gardner, University of California, Santa Barbara
ISBN: 9781517918408
Dimensions: 216mm x 140mm x 18mm
Weight: 425g
360 pages