Body Modern

Fritz Kahn, Scientific Illustration, and the Homuncular Subject

Michael Sappol author

Format:Paperback

Publisher:University of Minnesota Press

Published:11th Apr '17

Should be back in stock very soon

Body Modern cover

A poster first printed in Germany in 1926 depicts the human body as a factory populated by tiny workers doing industrial tasks. Devised by Fritz Kahn (1888–1968), a German-Jewish physician and popular science writer, “Der Mensch als Industriepalast” (or “Man as Industrial Palace”) achieved international fame and was reprinted, in various languages and versions, all over the world. It was a new kind of image—an illustration that was conceptual and scientific, a visual explanation of how things work—and Kahn built a career of this new genre. In collaboration with a stable of artists (only some of whom were credited), Kahn created thousands of images that were metaphorical, allusive, and self-consciously modern, using an eclectic grab-bag of schools and styles: Dada, Art Deco, photomontage, Art Nouveau, Bauhaus functionalism, and commercial illustration. 

In Body Modern, Michael Sappol offers the first in-depth critical study of Fritz Kahn and his visual rhetoric. Kahn was an impresario of the modern who catered to readers who were hungry for products and concepts that could help them acquire and perform an overdetermined “modern” identity. He and his artists created playful new visual tropes and genres that used striking metaphors to scientifically explain the “life of Man.” This rich and largely obscure corpus of images was a technology of the self that naturalized the modern and its technologies by situating them inside the human body.

The scope of Kahn’s project was vast—entirely new kinds of visual explanation—and so was his influence. Today, his legacy can be seen in textbooks, magazines, posters, public health pamphlets, educational websites, and Hollywood movies. But, Sappol concludes, Kahn’s illustrations also pose profound and unsettling epistemological questions about the construction and performance of the self. Lavishly illustrated with more than 100 images, Body Modern imaginatively explores the relationship between conceptual image, image production, and embodied experience.

"The chance meeting of Popular Mechanics and Gray’s Anatomy on a dissecting table, Fritz Kahn’s cutaway views of our inner workings expose far more than blood, guts, and bones. Taking Kahn’s delirious illustrations as his jumping-off point, Michael Sappol uses his vast historical erudition, just enough theory, and a prose style that cuts like a knife to lay bare the visual unconscious of the Machine Age. Delving deeper, he discovers the self, a cognitive widget turned out by Modernism’s philosophical assembly line. Witty, incisive, and impeccably researched, Body Modern is an X-ray of our image world in its early years, before the deluge."—Mark Dery, author of I Must Not Think Bad Thoughts: Drive-By Essays on American Dread, American Dreams


"The book is nicely illustrated and the history of our relationship between biology and mythology is brilliantly addressed."—The Daily Heller

"Densely academic, yet provocative enough for a lay person to extract some meaning."—Santa Fe New Mexican

"The merits of Michael Sappol’s study are numerous. Sappol gives a first-rate overview of the key themes and forms of Kahn’s editorial achievements as well as the manifold ways it was appropriated in other countries and cultures."—Leonardo Reviews

"The author’s lucid commentaries provide excellent guidance through the forest of Kahn’s topics, ranging from anatomy to architecture, and from physiology to thermodynamics." —Bulletin of the History of Medicine

"An intellectually important book that is delightfully well written." —ISIS

ISBN: 9781517900212

Dimensions: 254mm x 178mm x 38mm

Weight: unknown

272 pages