Media of the Masses

"Andrew Simon's masterful history of the cassette crystallizes the crucial importance of technology. Media of the Masses is methodologically innovative, working through materials that were part of everyday life, but rarely present in archives. Important for historians of modern Egypt, and a stellar contribution to the history of new media."—Walter Armbrust, University of Oxford
"When much thinking about media focuses on technologies of the future, Andrew Simon's Media of the Masses is a refreshing look at the near past, when palm-sized cartridges decentralized communication decades before satellites or the internet entered our daily lives. An important contribution to Arab media studies and the history of technology."—Marwan Kraidy, Northwestern University in Qatar
"Media of the Masses provides a new lens through which we can understand the history of Egyptian media—the once-ubiquitous technology of cassette tapes. Andrew Simon's 'mixtape' approach offers insightful analysis and paints a rich picture useful for scholars and students alike."—Laura Bier, Georgia Institute of Technology
"Andrew Simon's new book, Media of the Masses: Cassette Culture in Modern Egypt... looks at the cassette tape as a mode of understanding Egypt's history during [the] 1970s and 1980s. Moving from homes to shops, and from singers to listeners, the book demonstrates how the cassette, an artifact that became immensely popular in the Middle East in these years, undid state power and the division between public and private."—Orit Bashkin, Issues in Middle East Studies
"In this social history of music and technology, Simon demonstrates how audiocassettes allowed ordinary Egyptians to challenge the power of state-controlled media. It is the story of how a common piece of technology can have an extraordinary impact on culture, politics, and the lives of the people who use it."—Christina Dolan, Vermont Standard
"Andrew Simon approaches the world of Egyptian cassettes primarily as a social historian in this ingenious and enlightening book, one that is, moreover, an enormous pleasure to read....Whether listening, looking, reading, recalling encounters with his Egyptian interlocutors, or describing his walks around downtown Cairo, his prose buzzes with life and with sounds—as appropriate a tribute to its object as one could possibly wish."—Martin Stokes, Journal of World Popular Music
"This is an extraordinarily rich and exciting read."—Avery Weinman, New Books Network
"In Media of the Masses, Andrew Simon tells a compelling story of how audiocassettes transformed Egypt in the 1970s and '80s. By allowing a greater number of people not just to access audio content but also to produce and distribute it, cassettes were at the center of a new popular consumer culture. Simon tells this story through vivid vignettes that shine a light into the role of technology in everyday life."—Arthur Asseraf, Technology and Culture
"Media of the Masses fills the gaps of historiographical elisions past."—Mariam Elnozahy, The Markaz Review
"Simon's book offers a closer people's perspective of Egyptian culture and memory through cassette technology."—Ramona Wadi,The New Arab
"The book's framework gives prominence not only to media technologies but also, crucially, to artists and their music. In so doing, it sheds new light on Egypt's sociopolitical, cultural, and economic developments from the 1970s through the 1990s and beyond."—Olga Verlato,Borderlines
"This book will captivate anyone interested in the history of technology, mass media, or popular culture."—Lee Vinsel, Peoples & Things
"[Simon] shows how the humble cassette turned into a lightning rod in a country undergoing major changes."—Peter Holslin,Passion of the Weiss
"By examining the history of the cassette tape and cassette players in Egypt, Media of the Masses considers much larger historical developments, including political change, labor migration, the refashioning of Egyptian homes, crime, and censorship.... Recommended."—M. L. Russell, CHOICE
"By the end of Media of the Masses, Andrew Simon has deftly pivoted from the importance of audio to the vitality of all the mundane but essential objects in our environment—the things that are always thereso much so that we don't often see or hear them anymore."—Marc Masters, Los Angeles Review of Books