The Who and Philosophy
Exploring the philosophical themes in rock music
Rocco J Gennaro editor Casey Harison editor
Format:Hardback
Publisher:Lexington Books
Published:23rd Jun '16
Currently unavailable, and unfortunately no date known when it will be back
Exploring the legacy of The Who, this book delves into their music's philosophical implications and cultural significance, providing insightful analysis and reflections.
In The Who and Philosophy, readers are invited to explore the profound impact of one of the most iconic bands of the 1960s, The Who. Known for their explosive performances and unique sound, The Who not only defined a generation but also pushed the boundaries of rock music. The book delves into how their music, characterized by powerful singles like 'My Generation' and 'I Can See for Miles', reflects the complex themes of frustration, angst, and existential dread that resonated with their working-class roots and Mod audience.
The principal songwriter, Pete Townshend, infused his lyrics with deep philosophical questions, drawing from both his personal experiences and broader cultural influences, including religious ideas from India. As readers navigate through the chapters, they will discover how The Who's music serves as a lens through which to examine societal issues and the human condition. The analysis of their celebrated albums, such as Live at Leeds and Tommy, reveals the band's innovative approach to storytelling and musical composition.
Ultimately, The Who and Philosophy offers a thoughtful examination of the band's legacy, showcasing how their art has sparked critical discussions and reflections on life, identity, and the struggles of modern existence. This collection is not just for fans of The Who, but for anyone interested in the intersection of music and philosophy.
The editors Gennaro and Harison…have successfully compiled a selection of texts on a band and their followers who could only exist at that particular time. . . .Here we have a good compilation of texts that will appeal to anybody interested in popular music, British bands of the 1960s and of course The Who. * Popcultureshelf.com *
It isn’t their over-the-top stage moves or musical chops that made The Who the embodiment of their generation—youth of the Sixties. Rather, it was their verbal focus on expressing oneself authentically, the passion of the era. Authenticity was the theme of their hit songs (like “Behind Blue Eyes,” “The Real Me,” “I Can’t Explain,” “See Me, Feel Me,” and “Substitute”), in the title of their 1968 album “The Who Sell Out;” and expressed by Townshend in innumerable interviews. Authenticity, and its barriers, was also central to the works of Kierkegaard, Nietzsche, Heidegger, and the philosophers most influential to young Brits in the 1960s, the French existentialists, Sartre and Camus. Discussing the philosophical underpinnings and relationships between the work of this popular and influential rock band and a set of great modern philosophers, this long overdue volume provides a deeper understanding of both. -- Deena Weinstein, DePaul University
What a terrific book! Harison and Gennaro have assembled a wide-ranging collection of essays spanning the academic, the intellectual and what is oftentimes just plain fun. Any deep fan of the Who has spent plenty of time reading into the band’s Mod antecedents, the symbolism of violence in the destruction of their instruments on stage, Townshend’s simultaneous striving for the power and permanence of opera while insisting that pop music is ephemeral, and how Meher Baba has lain a continuing religious thread through Townshend’s musical ideas. This book is for that fan, and anyone trying to look for their own philosophical thread running through the songs and career of rock music’s most philosophically adventurous act. -- David Simonelli, Youngstown State University
ISBN: 9781498514477
Dimensions: 239mm x 157mm x 25mm
Weight: 567g
256 pages