Graphic Borders

"Once upon a time, in a galaxy as close as your local comic book store, worlds populated with Latino superheroes, misfits, legends, and all manner of wondrous characters filled a gaping void in American graphic fiction. Graphic Borders is a must-read for anyone studying graphics and the emerging multi-cultural, multi-racial, multi-sexual, multi-abled, multi-dimensional literary imagination that our artists and storytellers keep building, gorgeously, every day." -- Lisa Sanchez Gonzalez, University of Connecticut, author of Boricua Literature and Puerto Rican Folktales/Cuentos folcloricos puertorriquenos "With the proverbial 'brown tide rising' come swells of creativity and diversity in US Latino comic books and graphic nonfiction. This timely critical intervention delivers wide-ranging and comprehensive critical thinking about comics as a malleable, exciting, and innovative mode of storytelling about Latina/o lived experiences, creative industry, and speculative aspirations and desires. It opens imaginations wide to the splendors of well-known and emergent Latina/o comic artists-and Latinos in the comic book mainstream. Like Latinos in comics today that know no bounds, this collection soars to new scholarly heights." -- Paul Allatson, University of Technology, Sydney, author of Latino Dreams and Key Terms in Latino/a Cultural and Literary Studies "Holy Blatino Spidey! Aldama and Gonzalez leave no stone unturned. Addressing alternative Latino comic book auteurs like Los Bros Hernandez as well as mainstream creators like Cantu and Castellanos, the rich and varied theoretical explorations included in this volume extend the range and deepen the insight of Aldama's seminal Your Brain on Latino Comics. Trust your spider-sense. This collection will slingshot you into danger zones, just as today's Latino graphic artists are explosively transmogrifying all of US culture." -- Enrique Garcia, Middlebury College, author of Cuban Cinema After the Cold War "In Marvel comics the Watchers are an alien race that roams the galaxies observing and documenting all that goes on. The essayists in this collection are the 'Watchers' of the micro-universe that is Latino comics. Aldama and Gonzalez gather an extraordinary league of comic book Watchers who observe and analyze as well as make visible the living, breathing archive of those at the vanguard of Latino sequential art creation. Lock those tractor beams on this one. It'll blow your mind." -- Eric J. Garcia, El Machete Illustrated "Zam! Pow! !Guey! Graphic Borders smashes through perceptual blockades to radically reveal a Latino/a comics universe that blasts aesthetic boundaries. Aldama, Gonzalez, and their scholarly superhero team hurl psionic pulse waves of cognitive, historical, and formal analyses to vitally reconfigure today's comic-book borderlandia. Dare to enter! Dare to be masked!" -- Cruz Medina, Santa Clara University, author of Reclaiming Poch@ Pop

The first volume in a trailblazing series on world comics and graphic nonfiction, this book presents a comprehensive array of historical, formal, and cognitive approaches to Latino comics—an exciting popular culture space that captures the distinctive and

From the influential work of Los Bros Hernandez in Love & Rockets, to comic strips and political cartoons, to traditional superheroes made nontraditional by means of racial and sexual identity (e.g., Miles Morales/Spider-Man), comics have become a vibrant medium to express Latino identity and culture. Indeed, Latino fiction and nonfiction narratives are rapidly proliferating in graphic media as diverse and varied in form and content as is the whole of Latino culture today.

Graphic Borders presents the most thorough exploration of comics by and about Latinos currently available. Thirteen essays and one interview by eminent and rising scholars of comics bring to life this exciting graphic genre that conveys the distinctive and wide-ranging experiences of Latinos in the United States. The contributors’ exhilarating excavations delve into the following areas: comics created by Latinos that push the boundaries of generic conventions; Latino comic book author-artists who complicate issues of race and gender through their careful reconfigurations of the body; comic strips; Latino superheroes in mainstream comics; and the complex ways that Latino superheroes are created and consumed within larger popular cultural trends. Taken as a whole, the book unveils the resplendent riches of comics by and about Latinos and proves that there are no limits to the ways in which Latinos can be represented and imagined in the world of comics.