Rethinking Brechtian Film Theory and Cinema

This book explores the lasting impact of Brechtian film theory, offering fresh insights into Brecht's writings and their relevance in modern cinema.

In Rethinking Brechtian Film Theory and Cinema, the author presents a compelling case for the enduring significance of Brechtian film theory in contemporary discussions. This book delves into new research and analysis surrounding Brecht as a film and media theorist, showcasing his scattered writings and situating them within the vibrant film theory debates that unfolded in Europe from the 1920s to the 1960s. By exploring these historical contexts, the author highlights how Brecht's ideas continue to resonate in today's cinematic landscape.

The text further identifies critical intersections between Brecht's 'unfinished project' and modern film and media theory, suggesting that his work remains relevant and insightful. Through detailed case studies of notable films, including Roberto Rossellini's Pais, Bernardo Bertolucci's 1900, and Joshua Oppenheimer's The Act of Killing, the author challenges prevailing assumptions about Brecht's theoretical stance. This approach not only reexamines Brecht's contributions but also opens up new avenues for understanding his influence on film studies.

Ultimately, Rethinking Brechtian Film Theory and Cinema invites readers to engage with Brecht's work in fresh and innovative ways. The book serves as an essential resource for scholars and students alike, encouraging them to reconsider Brecht's legacy and its implications for contemporary film analysis.