Sounding Modernism

Rhythm and Sonic Mediation in Modern Literature and Film

Julian Murphet editor Helen Groth editor Penelope Hone editor

Format:Hardback

Publisher:Edinburgh University Press

Published:22nd Mar '17

Should be back in stock very soon

Sounding Modernism cover

Addresses a growing demand for critical studies on the interface between literary history and the soundscape of modernity. Discusses the rich nexus of new sound recording technologies, new vocabularies of and for sonic phenomena, new standardisations of rhythm and speed, and the weird displacements of voice peculiar to modernity. Answers the need for an explicit engagement with the symbolic registrations of sonic modernity on textual forms in sound studies. Systematically analyses modernist forms in terms of their capacities to mediate rhythms, sonic textures and vocal derangements.

This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies.Explores the transformations of sound in modern literary and cinematic forms from the 1890s to the mid-20th century This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds. Key Features Addresses a growing demand for critical studies on the interface between literary history and the ‘soundscape’ of modernityDiscusses the rich nexus of new sound recording technologies, new vocabularies of and for sonic phenomena, new standardisations of rhythm and speed, and the weird displacements of ‘voice’ peculiar to modernityAnswers the need for an explicit engagement with the symbolic registrations of sonic modernity on textual forms in sound studiesSystematically analyses modernist forms in terms of their capacities to mediate rhythms, sonic textures and vocal derangements

[A] groundbreaking collection of essays [...] Sounding Modernism will definitely intrigue Joyce scholars: first, because of the volume's innovative readings of Joyce's work, and second, because of the contributors' methods to analyze a wide range of literary texts and films can serve as models for further investigation into questions relating to rhythm and sound in Joyce's writings. -- Eleni Loukopoulou * James Joyce Quarterly *
At last, the collection sound studies has been listening for. Its full-throated intersection of the technical registers in media theory (storage versus communication) with the palpable phonic rhythms of literature and "the talkies" makes for a multi-channel and ear-opening anthology tuned to the very pulse of time-based encounters across media. -- Garrett Stewart, The University of Iowa

ISBN: 9781474416368

Dimensions: unknown

Weight: 534g

264 pages