The New Soundtrack

This journal explores the relationship between sound and moving images, featuring contributions from experts and practitioners in the field, including composers and sound designers.

The New Soundtrack offers a comprehensive exploration of the intricate relationship between sound and moving images. It features insights from leading academics and professionals in the field, including former editors of The Soundtrack, Stephen Deutsch, Larry Sider, and Dominic Power. Their collective expertise provides a fresh platform for discussions on how auditory elements intertwine with visual media, fostering a deeper understanding of this dynamic interplay.

In addition to traditional perspectives, the New Soundtrack encourages contributions that reflect contemporary developments in the field. Topics such as sound installations, computer-based delivery methods, and the psychological aspects of sound-image interaction are explored. This journal not only serves as a repository for established knowledge but also as a space for innovative ideas and practices in sound design and media.

With an esteemed Editorial Board comprising notable figures in sound arts and media, the New Soundtrack is a vital resource for practitioners and scholars alike. It includes contributions from a diverse range of professionals, including composers, sound designers, and directors, who share their experiences and insights. By bridging the gap between academic theory and professional practice, this journal enriches the discourse surrounding sound in visual media.