Color and Victorian Photography

Lindsay Smith editor

Format:Paperback

Publisher:Taylor & Francis Ltd

Published:26th May '20

Should be back in stock very soon

This paperback is available in another edition too:

Color and Victorian Photography cover

A curated selection of nineteenth- and early-twentieth-century sources describing the first one-hundred years of color photography, tracing both its scientific developments and setbacks, and its grip on the imagination of philosophers, writers and artists.

Nineteenth-century photography is usually thought of in terms of ‘black and white’ images, but intense experimentation with generating and fixing colors pre-dated the public announcement of the daguerreotype in 1839.Nineteenth-century photography is usually thought of in terms of ‘black and white’ images, but intense experimentation with generating and fixing colors pre-dated the public announcement of the daguerreotype in 1839. Introducing readers to the long, frequently overlooked story of the relationship of color to photography, this short anthology of primary sources includes: accounts of the scientific search for color by Elizabeth Fulhame and Sir John Herschel;photographers' views on color; extracts from the photographic press and from manuals on handcoloring; and accounts by critics such as John Ruskin. The volume provides a fresh perspective on the culture, history and theory of early photography, demonstrating why scientists, philosophers, photographers, literary writers and artists were so fascinated by the potential for polychrome in photographs. With an introductory essay arguing that from the earliest days of photography the prospect of color loomed large in the imagination of its creators, users and critics, this reader is an essential resource for students and scholars wanting to gain a full understanding of nineteenth-century photography and its relationship to art history, literature and culture.

"A fascinating insight into the ways in which early practitioners of photography and art historians and philosophers more generally thought about the importance of color in the 19th century. - Caroline Blinder, Goldsmiths University, UK

An extremely useful book for students – both undergraduate and graduate students taking History of Photography courses, and those taking broader based courses (especially as a graduate level) on Victorian Visual Culture - Kate Flint, University of Southern California, USA"

ISBN: 9781474264204

Dimensions: unknown

Weight: 400g

220 pages