The Night the Rich Men Burned

Malcolm Mackay's writing rings true . . . [he] is quite unlike the general run of writers of Tartan Noir. Indeed he is quite unlike most crime writers . . . He writes with authority, and this is what makes his novels compelling . . . Mackay's underworld is convincing . . . Mackay writes with such assurance that he makes it credible . . . Mackay's achievement is to have created a credible world of his own . . . He is a very unusual writer, one who skilfully gives the impression that he is without illusions about how people think and act. * Scotsman *
For his Glasgow trilogy, Malcolm Mackay accumulated praise and awards rarely accorded to a new crime writer, all the more astonishing for an author who has rarely ventured into the city that he describes with such vigour. Can he keep it up? His fourth novel, The Night the Rich Men Burned, says yes. Different characters and more intricate storylines than the books of the trilogy, but recognisably the same terrain. Mackay has created his own world of Glasgow gangsterism, and within it two friends try to set up an empire of debt collectors that is not to the liking of the existing operators. * Sunday Times *
Hailed as the rising star of Tartan Noir, this is Mackay's much anticipated follow-up to his critically acclaimed Glasgow Trilogy . . . Mackay captures the helplessness of a recession-ravaged industrial city. * Sunday Express *
Malcolm Mackay has only been a published crime writer since June last year but his Glasgow Trilogy attracted the sort of acclaim normally reserved for far more experienced novelists. Fans of the trilogy will be relieved to know that The Night the Rich Men Burned - Mackay's fourth novel and the first to stand alone - does not stray far from the already tried and tested formula . . . [It is] a fast-paced read, combining an enjoyably voyeuristic insight to the violent world of these gangsters with enough of a focus on their lives and motivations to make them if not likeable at least understandable. Mackay's description of his chosen setting is superb . . . the characters are well thought out and believable . . . the huge number of fans Malcolm Mackay has garnered since his first release 14 months ago is unlikely to be disappointed. * Daily Express *
Mackay's writing is shot through with grim poetry. Mackay doesn't waste words on elaborate topographical descriptions, or detailed accounts of the weather. We are hardly aware if it is hot or cold; we are not even sure, at times, if it is night or day. All that matters are the words and actions of his cast. The actors are almost entirely male and, with rare exceptions, they are flawed but potentially violent wasters who prey on the weaknesses of society's natural victims. Make no mistake. If this is theatre, it is the theatre of cruelty. You will not finish this book and feel better about the human condition. It is an emotionally exhausting read, and contains many of the elements of classical tragedy - the continuity of place, the fatal coincidences, and the vaulting ambition of powerful men. There were strong hints of Mackay's skill as a writer in his Glasgow Trilogy and you can read our reviews of books one, two and three by following the links. But this is on a different level altogether. It is a harrowing, but quite brilliant tour de force. * Crime Fiction Lover *
The Night the Rich Men Burned is the fourth novel from Tartan Noir's relative newcomer and like a stick of gangland rock, there is 'villainy' written through every page of his remarkably authentic and brutal crime thrillers. After the highly-acclaimed Glasgow Trilogy, some feared that there were no back street stones left unturned in the impressive Mr Mackay's violent, signature underworld, but his new standalone novel offers the same uncompromising slice of the big city's twilight zone. The Night the Rich Men Burned is not just a tale of time and place but a salutary portrait of people living on the margins of ordinary life, those born with little hope and low expectation who either walk a punishing straight line or take the crooked turn to fast money and rampant thuggery. Mackay has an astonishing grip on the criminal psyche, providing a brief but enlightening character study of his grisly cast of cons before the story even begins. And be warned... these bad guys are unrelentingly brutal, the few good guys are pitifully powerless, the tension is knife-edged and the uncompromising violence is as painful as a punch in the solar plexus. This is the dark side of Glasgow that lurked behind the smiles of the Commonwealth Games... Mackay ensures we don't forget it's there. * Lancashire Evening Post *
Centring again on the seedy underbelly of Glasgow, and life among the criminal classes, this was another gripping and terse read that kept me hooked, and as the story plays out, Mackay effortlessly ramps up the tension to a well played out and unsettling conclusion. A truly excellent read, and strongly illustrative of the wealth of talent on the Scottish crime writing scene. * Raven Crime Reads *