Stone Yard Devotional

I have rarely been so absorbed, so persuaded by a novel . . . Wood is a writer of the most intense attention. Everything here - the way mice move, the way two women pass each other a confiding look, the way a hero can love the world but also be brusque and inconsiderate to those around them - it all rings true. It's the story of a small group of people in a tiny town, but its resonance is global. This is a powerful, generous book -- Frank Cottrell-Boyce * Guardian *
Australian writer Charlotte Wood does for mice in her seventh novel what Alfred Hitchcock did for birds . . . Wood has said that she wanted to write about forgiveness, but there is little here by way of comfort. What the novel does instead is to force you to recognise your deepest fears about decay, extinction and suffering. It's a beautiful, mature work that does not flinch from life -- Johanna Thomas-Corr * Sunday Times *
A good read - intense, weird, brooding - and a fascinating look at the need to strip our lives back * i paper *
Unshowily explores forgiveness, accountability and despair in the face of the world's horrors -- The best fiction of 2024 * Guardian *
This is a transfixing novel about the way childhood events, be they seismic or seemingly banal, can haunt us in adulthood. Wood pares back her narrator's life and language to explore fundamental questions of loss, suffering and how we coexist with other people, other species and the environment, with a power and precision that means it will resonate with readers long after this year's Booker Prize has been awarded * Financial Times *
I'm a fan of Charlotte Wood and Stone Yard Devotional is my favourite - a character study in quiet strength -- Laura Jean McKay, Writers pick the best reads of 2024 * Sydney Morning Herald *
Stone Yard Devotional is a book about what it means to be good: simply and with great humility, it asks the big questions, leaving the reader feeling kinder, more brave, enlarged -- Anne Enright, author of THE WREN, THE WREN
A beautiful and masterful book especially for its ability to dwell within the confusion and complexity of all that it is questioning, and for all of its quiet force * Guardian *
Wood's sentences are cool and carefully balanced, often working harder than they let on . . . Stone Yard Devotional is all the more accomplished for resisting neat conclusions, and recognising that even the examined life sits only 'on the edge of comprehension'. Wood may not be the first artist to embrace uncertainties, mysteries and doubts, but at its best her novel does it beautifully * Sunday Telegraph *
The book's steady directness has a cumulative force. As in The Weekend, Wood is tender but non-maudlin on the stuff that meets us all - illness, bereavement - as well as the knotty matter of guilt: here, the lofty question of how to live well is most often simply the difficulty of not messing up. Winningly no-nonsense stuff, highly recommended to anyone in a reading slump and 100% prizeworthy * Observer *
The seventh novel from Australian Charlotte Wood is set in a monastery in her home country during the pandemic, which might sound unpromising but for the beauty of her prose and ability to handle suspense * Evening Standard *
A brilliant premise . . . wry, unusual and beautifully written * Daily Mail *
Beautiful writing: I loved The Weekend by the same author and this has a similar elegant style -- Joanne Finney * Good Housekeeping *
A slim novel which tackles weighty themes - guilt, loss, forgiveness - and manages to be both profound and addictively entertaining. I loved it -- Clare Chambers, bestselling author of SMALL PLEASURES
Wood is a fantastic writer . . . I really enjoyed it, and it made me think about faith and religion, lots of questions that I've found myself thinking about in different ways over time. So it resonates on lots of levels -- Nitin Sawhney * Five Books *
Quiet but weighty, Stone Yard Devotional is all about the complicated task of loving the world and its creatures. No words can quite convey how much I loved this book. I am just so happy to have read it -- Karen Joy Fowler, author of BOOTH
Beautiful, strange and otherworldly, Charlotte Wood's latest novel is an absorbing mediation on grief, forgiveness and our relationship to the natural world -- Paula Hawkins, no. 1 bestselling author of A SLOW FIRE BURNING
A slender novel which carries a weighty punch. So beautifully written, at times it felt like reading a lament on grief, guilt and responsibility. And it asks the most dangerous question of all: if you reduce a life down to its bare bones, what are you left with? Of what will you feel proud? Moving, searing and urgent, this book is stunning -- Araminta Hall, author of ONE OF THE GOOD GUYS
Intelligent and nourishing, Stone Yard Devotional shows us the mysteries of human relationships, asking who can and should bestow forgiveness. This novel is subtly powerful and utterly engrossing -- Claire Fuller, author of UNSETTLED GROUND
Remarkable -I'm still trying to figure out how she pulled it off. The best thing she's done -- Tim Winton, Books of the Year * Sydney Morning Herald *
Magnificent and radical . . . It gripped me from the opening line to the very last * Age *
A quiet, calm, very personal book at a time when we are all so overwhelmed with everything happening around us -- Elke Heidenreich * Spiegel *
Wood writes not only grippingly but in a lovingly ironic way about everything the monastery heroine experiences - and it's more than you'd expect * Flow *
A quietly extraordinary novel. The narrative is stripped to bedrock and yet, paradoxically, is as complex and fertile as the compost that forms one of its primary metaphors * The Conversation *
Mesmeric -- Hannah Kent, Books of the Year * Sydney Morning Herald *
It's possible that some readers regarded Charlotte Wood's 2016 Stella Prize-winning The Natural Way of Things as the pinnacle of her writing career, but as it happens Wood was just getting warmed up . . . Wood's use of first person is reminiscent of Elizabeth Strout's Lucy novels; even the episodic structure seems to take inspiration from those books. But there are also echoes of Marilynne Robinson in that the narrator's self-scrutiny is involved in the question of what it means to live a moral life . . . In this extraordinary novel, everything resonates and becomes meaningful . . . It's difficult to understate the risks Wood has taken in constructing this book out of apparently minor events. But Stone Yard Devotional is a stunning work of fiction from a major writer who keeps getting better * Australian *
A book that extends and deepens Wood's already remarkable achievements as a novelist in powerful and often profound ways . . . It is a mark of Wood's sophistication as a writer that the novel does not attempt to resolve these contradictions. Instead it suggest that goodness is fraught and imperfect and that the bonds of love and obligation, kindness and cruelty that bind us to one another are written deep in our bodies, shaping us in ways we cannot ever fully escape or understand * Saturday Paper *
Wood's generous capacity for sustained attention is a gift to readers . . . Stone Yard Devotional invites the kind of contemplation and pause that is rare in a world of constant distraction. Its slow pace is counterbalanced by the shafts of meaning that fall right through Wood's lucid prose. Its stillness comes to feel less like a retreat and more like a radical practice, the soul-work of holding oneself accountable. If there is peace to be found here, it is hard won -- Jennifer Mills * Australian Book Review *

PRAISE FOR CHARLOTTE WOOD'S THE WEEKEND

A Sunday Times 'Best books for summer 2021' | A Times, Guardian and Daily Mail paperback pick | A Times, Observer, Independent, DailyExpress and Good Housekeepingbook of the year

'The Weekend is so great I am struggling to find the words to do it justice'
Marian Keyes

'A lovely, lively, intelligent, funny book'
Tessa Hadley

'A rare pleasure'
Sunday Times

'Glorious... Charlotte Wood joins the ranks of writers such as Nora Ephron, Penelope Lively and Elizabeth Strout'
Guardian

'These women are so alive on the page, it is impossible not to feel a kinship and intimacy with each of them'
Daily Express