Brazilian Cinema and the Aesthetics of Ruins

This is an intriguing walk amidst Brazilian ruins, from the outskirts of the capital to a Jesuit building in an indigenous area. By looking at those testimonies of underdevelopment, the author unfolds an extraordinary series of Brazilian singularities, but also illuminates our past, present and future in a neoliberal world. -- Albert Elduque Busquets, Universitat Pompeu Fabra, Spain
Brazilian Cinema and the Aesthetics ofRuins is useful to readers with a knowledge of World Cinema as well as to those who are less familiar with core Brazilian cinematic traditions and how they have sought to engage with problems of social inequality, poverty, and underdevelopment. Carréra’s dense, historically situated and in-depth examination of Brazilian social documentary films thus offers a more contemporary assessment of Brazilian filmmaking and sits alongside other English language books in the field. … [It] is a solid, well-researched, and developed book that will be very useful for students and scholars alike in disciplines from Film Studies to Brazilian and Latin American Studies, Politics, and Media and Communications. * Volupté *
This timely addition to existing scholarship in English on Brazilian cinema provides an original and persuasive argument for situating contemporary production within a wider aesthetics of ruin and decay. Both accessible and academically rigorous, this volume will appeal to students and established scholars alike. -- Lisa Shaw, University of Liverpool, UK
A densely synthetic and eminently readable capsule overview of Brazilian Cinema filtered through the imagistic-theoretical grid of “ruins” as a metaphor both for artistic creativity and social devastation. After the celebrated aesthetics of poverty, hunger, and garbage, the book offers a multi-faceted aesthetics of ruination, all in relation to larger themes of indigeneity and modernity. -- Robert Stam, New York University, USA