Antipodean Antiquities

This collection explores the Australasian Classical Tradition, examining how Mediterranean Antiquity influences modern literature, film, and art in Australia and New Zealand, as presented in Antipodean Antiquities.

In Antipodean Antiquities, leading and emerging scholars in Classical Reception Studies unite to delve into the often-overlooked Australasian Classical Tradition. This volume examines the intricate connections between Mediterranean Antiquity and the diverse cultural landscapes of New Zealand and Australia. Through a range of mediums, including literature, film, theatre, and fine art, the contributors interrogate how these ancient influences manifest in contemporary works, enriching our understanding of both antiquity and modern creativity.

The book serves as a vital resource for scholars worldwide, addressing the significant gap in existing literature regarding the impact of antiquity on modern artistic expressions in the antipodes. The authors present a well-rounded exploration, beginning with a contextual introduction that sets the stage for the six distinct sections of the volume. Each part showcases cutting-edge research, encompassing a variety of topics from the Lord of the Rings and Xena: Warrior Princess franchises to the works of notable artists like Sidney Nolan, as well as local authors whose narratives invite cross-cultural and interdisciplinary dialogue.

As the first comprehensive collection of essays focused on Classical Reception in Australian and New Zealand literature, film, theatre, and fine art from 1886 to the present, Antipodean Antiquities not only highlights the relevance of ancient texts in modern contexts but also celebrates the unique contributions of the antipodean perspective to the global discourse on classical influences.