Second World Postmodernisms

This edited collection examines the unique aspects of postmodernist architecture in the socialist Second World, exploring its connections to Western postmodernism and the socio-political context of the Cold War era.

Second World Postmodernisms delves into the intriguing relationship between postmodernist themes and the architectural practices of the socialist Second World. It poses essential questions about the presence of elements such as ornamentation, color, history, and identity within a context that is often seen as antithetical to postmodern ideals. The collection examines the phenomenon of paper architecture and theoretical discussions that emerged in societies committed to socialist modernization, seeking to understand the dynamics at play during this period.

This edited volume features fourteen essays that collectively explore whether architectural postmodernism had a distinct variant in the Second World. By investigating the architectural transformations of the 1970s and 80s, the contributors highlight the unique characteristics of architectural practices in Eastern Europe, China, and Cuba. The case studies presented offer a rich tapestry of aesthetic, discursive, and practical phenomena, all interpreted against the backdrop of the socio-political landscape of the late Cold War era.

Ultimately, Second World Postmodernisms expands the understanding of postmodernist architecture by situating it within a broader, global context. It not only emphasizes the distinctive qualities of Second World architectural developments but also draws connections to Western postmodernism. This comprehensive approach redefines the narrative of architectural history, providing valuable insights into how postmodernism has been shaped by diverse cultural and political influences across the globe.