Sound Effect

The Theatre We Hear

Ross Brown author Joslin McKinney editor Professor Scott Palmer editor Stephen A Di Benedetto editor

Format:Hardback

Publisher:Bloomsbury Publishing PLC

Published:20th Feb '20

Currently unavailable, and unfortunately no date known when it will be back

Sound Effect cover

A guide for scholars, practitioners and students about how theatre 'hears' the modern world, the broader cultural significance of the theatrical sound effect and genres of the sonically dramatic in popular aurality.

Longlisted for the PQ Best Publication Award in Performance Design & Scenography 2023Sound Effect tells the story of the effect of theatrical aurality on modern culture. Beginning with the emergence of the modern scenic sound effect in the late 18th century, and ending with headphone theatre which brings theatre’s auditorium into an intimate relationship with the audience’s internal sonic space, the book relates contemporary questions of theatre sound design to a 250-year Western cultural history of hearing. It argues that while theatron was an instrument for seeing and theorizing, first a collective hearing, or audience is convened. Theatre begins with people entering an acoustemological apparatus that produces a way of hearing and of knowing. Once, this was a giant marble ear on a hillside, turned up to a cosmos whose inaudible music accounted for all. In modern times, theatre’s auditorium, or instrument for hearing, has turned inwards on the people and their collective conversance in the sonic memes, tropes, clichés and picturesques that constitute a popular, fictional ontology. This is a study about drama, entertainment, modernity and the theatre of audibility. It addresses the cultural frames of resonance that inform our understanding of SOUND as the rubric of the world we experience through our ears. Ross Brown reveals how mythologies, pop-culture, art, commerce and audio, have shaped the audible world as a form of theatre. Garrick, De Loutherbourg, Brecht, Dracula, Jekyll, Hyde, Spike Milligan, John Lennon, James Bond, Scooby-Do and Edison make cameo appearances as Brown weaves together a history of modern hearing, with an argument that sound is a story, audibility has a dramaturgy, hearing is scenographic, and the auditoria of drama serve modern life as the organon, or definitive frame of reference, on the sonic world.

Drawing on his rich and long-standing experiences, Brown has written a comprehensive work on sound and hearing… Brown’s exploration of sound and its societal implications is insightful and thought-provoking. The book offers a rich tapestry of historical anecdotes, theoretical reflections, and contemporary analyses, accessible not only to all academics but also to a wider audience of those interested in sound, such as theatre, film, and music practitioners. * Theatralia *

  • Long-listed for PQ Best Publication Award in Performance Design & Scenography 2023 (UK)

ISBN: 9781350045903

Dimensions: unknown

Weight: 513g

240 pages