Harlequin Empire

This work examines the influence of the 1737 Licensing Act on British theatre, focusing on the portrayal of foreign cultures and ethnicities between 1750 and 1840, highlighting a plebeian Enlightenment.

Harlequin Empire delves into the theatrical landscape of Britain between 1750 and 1840, a period significantly shaped by the 1737 Licensing Act. This legislation granted Covent Garden, Drury Lane, and regional Theatres Royal exclusive rights over the dramatic canon, effectively creating a monopoly on theatrical productions. The author examines how this restricted environment influenced the portrayal of foreign cultures and ethnicities on stage, revealing the complexities and nuances of representation during this era.

The book posits that despite the limitations imposed by the Licensing Act, the popular stage emerged as a vital platform for a plebeian Enlightenment. Through this lens, the author argues that the unauthorized performances and adaptations that flourished outside the mainstream theatrical institutions provided a space for the exploration and expression of diverse cultural identities. These performances not only entertained but also challenged prevailing social norms and offered insights into the lives and experiences of marginalized groups.

By focusing on the intersection of culture, ethnicity, and theatre, Harlequin Empire illuminates the ways in which the British stage served as a mirror to societal changes and tensions of the time. The exploration of foreign cultures in this context reveals a rich tapestry of influence and interaction, shedding light on how theatre played a crucial role in shaping public perceptions and fostering a broader understanding of cultural diversity in Britain.