The Cambridge History of Music Criticism

This, the first major survey of music criticism, addresses the history and rapid expansion of this influential area of musicology.

A reference work for all those approaching music history through the lens of music criticism, from undergraduates to established scholars and professionals. As well as giving authoritative accounts of traditional regions such as Britain, France and Germany, the book substantially expands the timeframe, genre and geographical reach of the field.Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.