Music and the Benefit Performance in Eighteenth-Century Britain
Matthew Gardner editor Alison DeSimone editor
Format:Paperback
Publisher:Cambridge University Press
Published:23rd Jun '22
Currently unavailable, and unfortunately no date known when it will be back
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Explores the history of the benefit performance in eighteenth-century Britain, revealing how benefits helped musicians establish themselves within the commercial structures of Britain's urban centres. This book is for anyone interested in British musical history, particularly its performers, audiences, and institutions.In the early eighteenth century, the benefit performance became an essential component of commercial music-making in Britain. Benefits, adapted from the spoken theatre, provided a new model from which instrumentalists, singers, and composers could reap financial and professional rewards. Benefits could be given as theatre pieces, concerts, or opera performances for the benefit of individual performers; or in aid of specific organizations. The benefit changed Britain's musico-theatrical landscape during this time and these special performances became a prototype for similar types of events in other European and American cities. Indeed, the charity benefit became a musical phenomenon in its own right, leading, for example, to the lasting success of Handel's Messiah. By examining benefits from a musical perspective - including performers, audiences, and institutions - the twelve chapters in this collection present the first study of the various ways in which music became associated with the benefit system in eighteenth-century Britain.
ISBN: 9781108730150
Dimensions: 243mm x 168mm x 15mm
Weight: 530g
302 pages