Sound and Literature

This book explores the intricate relationship between sound and literature, providing valuable insights into the significance of sound in literary studies.

The book Sound and Literature serves as an essential resource for both students and scholars across various disciplines, including literary studies, sound studies, musico-literary studies, sensory history, and media studies. Its comprehensive approach to literary sound encompasses a wide array of elements such as music, noise, voice, vibration, and even deafness, setting it apart as a unique contribution to the field. This text invites readers to explore the intricate relationship between sound and literature, raising thought-provoking questions about how literature, often perceived as a silent medium, can embody sound.

Throughout the chapters of Sound and Literature, the authors delve into the energy produced by sonic elements in literary studies, tracing their impact from the late nineteenth century to contemporary times. The book emphasizes that sound, in its various forms—whether as noise, music, rhythm, or voice—has been a significant force in shaping literary cultures and the scholarship surrounding them. Each original chapter is penned by leading scholars who examine literary texts as dynamic sites of vocalization, rhythmics, and dissonance, as well as rich archives of soundscapes and listening practices.

Ultimately, Sound and Literature stands out for its broad and pluralistic approach to literary sound studies. It not only maps the field but also interrogates the importance of sound as a fundamental concept within literary scholarship. This volume is a vital addition for anyone interested in understanding the complex interplay between sound and literature.