The Printer's Grammar

This 1755 work offers a detailed exploration of typesetting, revealing the complexities of the compositor's craft in The Printer's Grammar.

In The Printer's Grammar, the author, whose identity remains a mystery, explores the intricate art of typesetting in the 18th century. Although John Smith is often associated with this 1755 work, it is unclear if this was his true name. The text provides a detailed examination of the compositor's craft, covering everything from the formation of type to the processes of imposing and correcting. This comprehensive survey offers insights into the technical aspects of book production during a fascinating period in printing history.

The author appears to have had experience in northern Germany and demonstrates a familiarity with French printing techniques. While the focus is primarily on typesetting rather than the actual printing process, the depth of knowledge presented suggests that the author was likely a compositor or a printer's reader. Readers can expect to learn about various elements of typecasting and composition, including regular and irregular letters, accents, kerning, and the use of different fonts, such as Greek, Hebrew, and Old English.

Moreover, The Printer's Grammar delves into essential topics like spacing, rules, braces, fleurons, and even mathematical symbols and music notation. The work not only serves as a technical manual but also as a window into the craftsmanship and artistry that defined the world of printing in the 18th century, making it a valuable resource for historians and enthusiasts alike.