Language, the Singer and the Song

This book discusses performance in communities of practice, social criticism through song, and how folk song and language interact.

Language and music have much in common, such as rhythm, structure, sound and metaphor. Drawing on ideas from linguistics, performance studies and musicology, this monograph proposes a sociolinguistic model for analysing song and performance. It addresses a readership of sociolinguists and scholars and students in musicology and performance studies.The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.