Photography and its Critics

This insightful work examines the critical discourse on photography in the nineteenth century, showcasing its cultural significance. Photography and its Critics reveals how photography became a symbol of modernity.

Originally published in 1997, Photography and its Critics provides a comprehensive exploration of the discourse surrounding photography in the nineteenth century. The book examines writings from diverse fields, including art theory, social reform, and physiology, revealing how these areas intersected with the evolving understanding of photography. The earliest critiques were shaped by a rich history of ideas concerning objectivity, representation, and the act of copying, which influenced perceptions of the medium.

Mary Warner Marien delves into the prevailing notions of neutral vision, intuitive genius, and artistic progress that characterized the era's engagement with photography. She argues that photography was not merely a technical innovation but a significant cultural and social symbol that embodied the themes of modernity and transformation. This duality allowed photography to serve both as a vehicle for promoting democratic ideals and as a tool for critique against the very notion of progress.

Through her analysis, Marien highlights how photography emerged as a flexible symbol, capable of embodying various ideological stances. Photography and its Critics ultimately provides valuable insights into the complex relationship between photography and societal change, illustrating its role in shaping contemporary thought about art and culture.