Nineteenth-Century Opera and the Scientific Imagination

Benjamin Walton editor David Trippett editor

Format:Hardback

Publisher:Cambridge University Press

Published:22nd Aug '19

Should be back in stock very soon

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Nineteenth-Century Opera and the Scientific Imagination cover

Explores the rich and varied interactions between nineteenth-century science and the world of opera for the first time.

This innovative book will appeal to anyone interested in the cultural, musical and scientific history of the nineteenth century - from undergraduates to professional researchers. Chapters explore topics such as hypnosis, vocal physiology, stage machinery, histories of listening and the interaction of opera with nineteenth-century scientific theories.Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period.

'There is an interesting discussion of whether opera was beneficial or dangerous for the mentally ill. This exploration of the intersection of two important aspects of 19th-century Western life will interest scientists and musicians alike.' R. Pitts, Choice
'Over the course of the essays, all of which are excellent, the book weaves a very solid network of living objects, which resonate with each other from chapter to chapter and bear witness to the inextricable entanglement between the operatic stage and the scientific stage in nineteenth-century opera, echoes of which are still audible today.' Isabelle Moindrot, Revue de musicologie

ISBN: 9781107111257

Dimensions: 263mm x 183mm x 21mm

Weight: 940g

396 pages