Female Singers on the French Stage, 1830–1848
Format:Hardback
Publisher:Cambridge University Press
Published:24th May '18
Currently unavailable, and unfortunately no date known when it will be back
Explores the profession of singing, operatic culture, and the representation of female performers on the nineteenth century French stage.
This book explores the profession of singing, operatic culture and the representation of female performers on the French stage between 1830 and 1848 to reveal new perspectives on their social status. The book will appeal to scholars of opera, French studies, theatre history, and women's and gender studies.The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830–1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including vocal training, débuts, rehearsals and performance schedules, touring, benefit concerts, and retirement, as well as the strategies utilized in publicity and image making. Dozens of case studies, many compiled from singers' correspondence and archival papers, shed light on the performers' successes and struggles at a time when Paris was the operatic centre of Europe.
'… [an] important contribution to the history of 19th century French music, to the history of musicians, and to the history of women, whose scientific impact is likely to be felt far beyond boundaries of historical musicology.' Catherine Deutsch, translated from Revue de musicology
ISBN: 9781107101234
Dimensions: 253mm x 183mm x 15mm
Weight: 670g
250 pages