A Semiotics of Multimodality and Signification in the Divine Comedy

This book provides a fresh perspective on Dante's Divine Comedy through the lens of semiotics and multimodality, enriching literary analysis.

In A Semiotics of Multimodality and Signification in the Divine Comedy, the author explores how the interplay of semiotics and multimodality generates new forms of meaning within Dante's masterpiece. This innovative approach not only advances Dante Studies but also enriches the fields of Literary Criticism, Multimedia/Multiliteracy, philosophy of language, communication, and education. By examining the various discursive modes authorized by the text, the book offers a fresh perspective on the complex layers of signification present in the Divine Comedy.

The work presents a critical methodology that emphasizes the importance of understanding language beyond mere writing. It highlights the multimodal nature of communication that was prevalent during Dante's time and how the Divine Comedy has been received through various modalities. By applying a semiotic lens, the author investigates the effectiveness of different modes in conveying meaning and the potential for these modes to combine in creating new ontologies. This theoretical study aims to fill a gap in existing critical theories regarding multimodality and its role in shaping signification.

Chapters 1, 2, and 5 of this insightful book are available as a free Open Access PDF, allowing readers to engage with its content without barriers. The work stands as a significant contribution to the ongoing dialogue surrounding Dante's text, offering new insights that can benefit scholars and students alike.