Seeing South Asia

This insightful exploration of visual culture in South Asia examines the interplay of tradition and modernity, making Seeing South Asia a vital resource for scholars and practitioners alike.

This book offers a critical examination of the cultural politics surrounding visuals in South Asia. It delves into themes such as vernacular visual culture, the relationship between photography and anthropology, and the representation of refugees. By exploring these topics, Seeing South Asia highlights the complex interplay of modernity and tradition, as well as the fluidity and hybridity present in the region's visual landscape.

In addition, Seeing South Asia contributes significantly to the social sciences by analyzing the dynamics between the seen and unseen, as well as the visual and non-visual aspects of culture. The text investigates a variety of interrelated themes, including the significance of visual symbols in contemporary performances, the visual landscapes of loss and recovery, and the role of visual media in shaping public perception. Through a hermeneutic sensorium approach, the book addresses the anxiety and politics surrounding visuals in South Asia.

Scholars and practitioners alike will find this volume valuable. It caters to those in fields such as visual and cultural studies, anthropology, sociology, and media studies, while also appealing to artists, filmmakers, and media critics. By presenting empirical findings from India, Pakistan, Sri Lanka, Nepal, and Bangladesh, Seeing South Asia offers a comprehensive understanding of the region's rich visual culture.