The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture

"This wide-ranging collection brings together the best current work in Anglo-Italian studies and forecasts future developments. Theoretically sophisticated and intellectually rigorous, the essays here treat major and minor figures, works, and genres, all the while illuminating hidden movements and cross-currents in literature, history, theology, and other disciplines. The volume, in toto, documents the reciprocal circulation of energies that powered both the Italian and English Renaissances. Prof. Marrapodi’s international team of distinguished contributors and bright new voices will inspire and guide scholarly conversations for a long time to come."

--Robert S. Miola, Gerard Manley Hopkins Professor of English / Lecturer in Classics Loyola University Maryland

"Reading this new collection, one is taken aback by how extensive and profound the cultural conversation between early modern Italy and England actually was. Preceded by a deeply researched introduction by Michele Marrapodi, the essays manage to anatomize this dauntingly complex field afresh and rethink familiar figures and configurations while adding a host of unfamiliar ones. What emerges is not just the one-way traffic of "influence" but dynamic and layered exchanges both within and between two separate cultures and cultural moments. It is equally good at recounting the Italian rediscovery of ancient figures, such as Seneca and Lucretius (long prior to their English impact), as it is at exploring original Italian cultural inventions such as courtliness, "civil conversation", and reason of state."

-- John Gillies, Professor in Literature, University of Essex

"In this ambitious and extraordinarily useful volume, ably assembled by Michele Marrapodi, distinguished senior and junior scholars from Italy, Great Britain, and North America revisit the crucial questions surrounding the influence of Italy, its literature and its culture on England in the age of Shakespeare. Among the volume's many virtues are its double focus on the original Italian texts and contexts and their appropriation, transformation, and re-visioning in English hands. Equally admirable is its revisitation of the multiple still-valid acquisitions of past scholarship, even while defining the current "state of the field" and its future possibilities. Finally, while the volume’s primary inspiration is literary and especially theatrical, it demonstrates a laudable commitment to probing the "mobilities," ambiguities, and political-ideological-religious investments that inform the complex processes of cultural transmission."

--Albert Russell Ascoli, President, Dante Society of America, Terrill Distinguished Professor, Department of Italian Studies, University of California, Berkeley.