The Music of the Gothic 1789–1820

This book examines the evolution of music in Gothic literature from 1789 to 1820, highlighting its shift from calming to unsettling tones.

In The Music of the Gothic 1789–1820, the evolution of music within Gothic literature and theater is explored in depth. The narrative begins in the 1790s, where the musical landscape is characterized by celebratory and calming tones, rather than the fearsome sounds one might expect from the Gothic genre. As the years progress towards 1820, a noticeable shift occurs, with music beginning to evoke feelings of shock, discomfort, and unease. This transformation is largely attributed to the rise of melodrama, which significantly influenced the emotional resonance of Gothic music in both fiction and performance.

The book delves into the works of notable authors such as Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge, and James Boaden, juxtaposing their literary contributions with the compositions of musicians like Michael Kelly, Stephen Storace, and Samuel Arnold. This examination reveals how the integration of music enriched the Gothic narrative, altering its emotional impact and audience reception. The inclusion of audio files further enhances the reader's understanding, allowing them to experience the sounds that shaped this pivotal era in Gothic art.

Ultimately, The Music of the Gothic 1789–1820 provides a comprehensive look at how music functioned within the Gothic tradition, highlighting its role in shaping the genre's identity. It illustrates the profound changes that occurred over these three decades, marking the transition from a more serene musical backdrop to one that embraced the unsettling and the macabre.