Aelius Aristides and the Poetics of Lyric in Imperial Greek Culture

Analyses the presence of Greek lyric poetry in imperial culture, giving new perspectives on lyric reception and imperial Greek literature.

This is the first major study of Greek lyric poetry in imperial Greek culture. It shows how knowledge of lyric enabled imperial writers to demonstrate a more sophisticated level of paideia; and reveals how lyric traditions mobilised distinctive discourses of self-fashioning, local identity, community-making and power crucial for Greeks under Rome.This book is the first study of the persistence and significance of ancient lyric in imperial Greek culture. Redefining lyric reception as a phenomenon ranging from textual engagement with ancient poems to the appropriation of song traditions, Francesca Modini reconsiders the view of imperial culture (paideia) as dominated by Homer and fifth-century Attic literature. She argues that textual knowledge of lyric allowed imperial writers to show a more sophisticated level of paideia, and her analysis further reveals how lyric traditions mobilised distinctive discourses of self-fashioning, local identity, community-making and power crucial for Greeks under Rome. This is most evident in the works of Aelius Aristides, who reconfigured ancient lyric to shape his rhetorical persona and enhance his speeches to imperial communities. Exploring Aristides' lyric poetics also changes how we interpret his reconstruction of the classical tradition and his involvement in the complex politics of the Empire.