Popular Opera in Eighteenth-Century France

Music and Entertainment before the Revolution

David Charlton author

Format:Paperback

Publisher:Cambridge University Press

Published:21st Dec '23

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Popular Opera in Eighteenth-Century France cover

A major re-orientation in understanding opera, exploring musical comedies with spoken dialogue previously excluded from historical accounts.

This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. David Charlton considers the comedic and musical nature of eighteenth-century popular French opera, exploring topics including performance practices, singers, audience experiences and theatre staging.This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect. Its songs were performed in private homes, where operas themselves were also given. The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage. In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century. Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.

'Ultimately, Popular Opera is a towering intellectual achievement that stands to significantly reorient contemporary accounts of eighteenth-century French opera. Charlton paves the way for a history of this repertoire in which previously discounted genres like fairground comedy and operatic parody take their place alongside the tragédie en musique. In this monograph, popular opera truly receives the limelight it has long deserved.' Callum Blackmore, Journal for Eighteenth-Century Studies
'Charlton's erudite scholarship makes Popular opera an essential reference work for musicologists, performers and scholars of 18th-century theatre. Moreover, Charlton's lucid descriptions of the often complex plots in many of these works highlight various news stories and themes relevant to the cultural and political historian. This much needed volume not only fulfils Charlton's initial observation that 'Popular opera deserves a history' (p.1) but amply demonstrates that this hitherto neglected repertory is sophisticated enough to rival even the tragédie en musique.' Adrian Powney, Early Music Journal
'… an extremely important monograph for any historian of opera and music theatre, which should be considered a towering achievement.' Erin Helyard, Musicology Australia

ISBN: 9781009011754

Dimensions: unknown

Weight: unknown

392 pages