mary wants to be a superwoman

Co-op is available. We are also very interested in p&p (ie dumps) displays etc. We have a budget and want to increase our footprint inside bookstores. Reviews and Publicity: We will be hiring an outside publicist to complement our own in house publicity. Galleys will be mailed to 200 reviewers and also available for request. Periodicals and webpages who will be receiving copies are The New York Times, Coldfront, The New Yorker, Rumpus, Boston Review, Vice, Los Angeles Times, Rain Taxi, Bookslut, Paris Review, Rolling Stone. Media: A trailer for the book itself plus multiple videos for select poems will be produced. Video: Professional videos for both a single poem from the collection and a trailer for the general book will be made. Blurbs: Different celebrities from the TMR family will be contacted to participate.We will be approaching celebrities such as: Stevie Wonder, buddy guy, iris apfel, morgan freeman, terrance howard, mick jagger, and fantastic negrito Touring: erica lewis will perform a minimum 30-city national tour to promote the book, including dates at the AWP DC, Litquake, Southern Festival of Books in Nashville, Mission Creek Festival in Iowa City, and the Pitchfork Music Festival. Social Media: *TMB and TMR use all social media platforms regularly to post reviews, excerpts and profiles related to TMB authors. We also have sent exclusive audio downloads of select authors to our Vault subscription service. This download is always accompanied by blurbs, photos, links to relevant sites, and author bio. *Third Man Books Twitter 2,358 Followers *Third Man Records Twitter 118k Followers *Third Man Records FB 135,830 Likes *Third Man Records.com receives an average 3500 visits per day *Third Man Records Instagram has 64k Followers *Third Man Books.com is housed within ThirdManRecords.com

Each poem's title comes from a Stevie Wonder song and sings a family's song of race versus culture in America.Being of African American, Native American, and white descent, erica lewis' poems recount her friends and family's--especially the women's--complex history with race, gender, and class in America, what it means to live with your own history, and how to move on. Each poem is framed by phrases from the lyrics of Stevie Wonder's Motown records, but the poems themselves are homages to her women kin, friends, and other contemporary women poets. And the dominant motif is brokenness. "By intertwining the public and the personal, Lewis's poems become a membrane through which pop culture permeates the most intimate experiences of selfhood." --Publisher's Weekly