Zone

‘[Zone is] an ambitious study of twentieth century conflict and disaster … Enard does for the comma in Zone what Eimear McBride did for the full stop in A Girl is a Half-formed Thing, and just as McBride brought her writing a raw intensity and immediacy, Enard brings to his a similarly fierce political engagements and moral authority … Enard’s novel is to be seen within a tradition of French avant-garde writing ... The result is a modern masterpiece…’
— David Collard, Times Literary Supplement

‘[T]he brilliance of Zone lies in its brutal refusal to stop. Again and again, Mathias Enard’s white-knuckle narrative plunges us back into the battle-scarred past, forcing us to confront its horrors ... a relentlessly inventive novel.’
— David Winters, Literary Review

‘I haven’t read anything this worthy of publication in years, nor this stylistically and thematically interesting, this politically and literarily engaged, this exciting and gripping, this moving and heart-breaking and this – the real kicker given that Zone is a 521 page stream of consciousness – readable. Zone is as close to a flawless novel as I have encountered in a very, very, long time.’
— Scott Manley Hadley, The Triumph of the Now

‘[T]he material of a conventional thriller has been sublimated into an atmosphere of violence, power and cruelty; humanity here is little more than a vector through which various kinds of insanity flow.’
— Nicholas Lezard, Guardian

‘Zone ... is a staggering literary achievement. A novel written on the grandest scale, with the ambition of creating a modernist prose epic with the scope of Homer or Ezra Pound's Cantos, it is at once beautiful and encyclopaedic.’
— Thom Cuell, The Workshy Fop

‘Mathias Enard has found a way to restore death to life and life to death, and so joins the first rank of novelists, the bringers of fire, who even as they can’t go on, do.’
— Garth Risk Hallberg, The Millions

‘The novel of the decade, if not of the century.’
— Christophe Claro, translator of Thomas Pynchon

‘Zone is a major and compelling work, a work that will keep you in its grip from its first utterance to its last.’
— Brian Evenson, author of Last Days

‘Like Flaubert and James Joyce, Enard seems to have found a model for his omnivorous novel in the Homeric epic, while Ezra Pound’s ghost also haunts Zone.... Enard’s erudite and ambitious novel is ... a Flaubertian encyclopaedia of our times at the end of a violent century.’
— Stephen Burn, New York Times