Iconographic and Comparative Studies in Medieval Drama

This collection of essays examines the interplay between medieval art and drama. Iconographic and Comparative Studies in Medieval Drama offers diverse scholarly insights.

This volume, Iconographic and Comparative Studies in Medieval Drama, presents a collection of articles derived from papers given at the Sixth Triennial Colloquium of the International Society for the Study of the Medieval Theatre. The essays delve into the intricate relationships between medieval art and drama, highlighting various themes and topics that showcase the depth of this connection. From English mystery plays to the Assumption and the Cuzco Corpus Christi paintings, each contribution offers a unique perspective on the interplay of visual and performing arts during the medieval period.

The ten articles included in Iconographic and Comparative Studies in Medieval Drama collectively represent a broad spectrum of scholarly approaches to the subject. By examining both art and drama side by side, the authors illuminate the ways in which these two forms of expression influenced and informed each other. The discussions range from specific artworks to broader cultural contexts, providing readers with a comprehensive understanding of medieval artistic practices.

In this compelling volume, the authors invite readers to explore the rich tapestry of medieval culture, emphasizing how art and drama were not isolated but rather intertwined elements of a vibrant societal fabric. The insights offered in this collection not only deepen our appreciation for medieval aesthetics but also encourage further exploration of the connections that continue to resonate in contemporary discussions of art and performance.