Aspects of Art of the Eleventh and Twelfth Centuries

This collection showcases Professor C. R. Dodwell's key writings on medieval art, emphasizing his insights into Anglo-Saxon and Norman artistic traditions.

In Aspects of Art of the Eleventh and Twelfth Centuries, Professor C. R. Dodwell compiles a comprehensive collection of his influential papers that delve into the intricacies of Western European medieval art. His scholarly journey began with a focus on The Canterbury School of Illumination, and throughout his career, he produced a wealth of critical works until his passing in 1994. This volume stands as a testament to his enduring legacy in the field of art history.

The book features an array of significant studies that cover various facets of Anglo-Saxon, French, and Norman art. Among the highlighted topics are major English illuminated manuscripts from the eleventh and twelfth centuries, techniques used in manuscript painting, and insightful analyses of notable artifacts like the Bayeux tapestry. The inclusion of a preface by Paul Crossley adds depth to Dodwell's reflections on the artistic landscape of the time.

Readers will find a rich tapestry of essays, including discussions on the Bayeux Tapestry's connection to French secular epics, the role of secular artists in monasteries, and a reassessment of the Reichenau school’s influence on Ottonian art. Each paper contributes to a broader understanding of medieval artistry, making Aspects of Art of the Eleventh and Twelfth Centuries an essential resource for scholars and enthusiasts alike.