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Facing You

City Lights Spotlight No. 19

Uche Nduka author

Format:Paperback

Publisher:City Lights Books

Published:15th Oct '20

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Facing You cover

• Co-op available
• National print campaign: excerpts in Harper's, BOMB, Poetry Foundation, Artforum, Boston Review, other popular places where innovative African American poets are often published. Pursuing interviews/reviews in Los Angeles Review of Books, BOMB, Poetry Foundation, Jacket 2, NYT, American Poet, LA Times, PW, Booklist, Library Journal, Hyperallergic, American Poetry Review, Rain Taxi, Bookforum, New Yorker, Paris Review, other venues
• Online/social media campaign: Lit Hub, Paris Review, Drums in the Global Village, Jacket 2, Poetry Foundation, and other venues. Promotion through City Lights social media platforms.
• General tour info: General East Coast/New England tour, possible West Coast tour. Reading series and book festivals in New York/Brooklyn.
• Bookseller/Library promotions
• Endorsements: Will pursue Kwame Dawes, Chris Abani, Joyelle McSweeney, Wole Soyinka, Anais Duplan, John Keene, Christopher Sawyer-Laucanno, Sawako Nakayasu, Johannes Goransson, Sharon Mesmer, Matvei Yankelevich, Brenda Coultas, Raymond Foye, Erica Hunt, and more.

From acclaimed Nigeria-born, Brooklyn-based poet Uche Nduka, a book of love poems written with compact elegance and vivid eroticism.

From acclaimed Nigeria-born, Brooklyn-based poet Uche Nduka, a book of love poems written with compact elegance and vivid eroticism.

Facing You is a collection of love lyrics, as well as an exploration of what goes into making the public and private self, from acclaimed Nigerian American poet Uche Nduka. Passionate and erotic, Facing You resists being hermetically sealed within the relationship, and is subject to the intrusions of “the dubious world”: war, exile, protest, and police violence intrude but cannot defeat Nduka’s expressions of desire, where reality and surreality are one.

"For decades, Uche Nduka’s refulgent poetry has shone out amid the various national and cultural contexts in which he has found himself, from Nigeria to Germany to Brooklyn. The brief poems of Facing You showcase Nduka at his most iconic. Casual and elemental, Surreal and Blue, these poems are like fuses: exactly equal to their tasks. Facing You proves the pliant strength of the lyric, its ability, in a handful of blunt and turning lines, to reverse reality with the ease of an upraised mirror. Nduka’s poetry models the principle of agile, flamelike survival amid this most leaden of worlds."—Joyelle McSweeney

"Uche Nduka’s lyrical abstractions are razor sharp and lighting fast. Each poem turns several corners in the blink of an eye. A Nigerian-American poet by way of Germany and Holland, Nduka has honed his genius on the whetting stones of a tri-continental cosmopolitanism. His voice is both courtly and sensual, and his poems as frankly sexual as they are defiantly explosive. Like Rimbaud, Nduka sings the pride of exile, the debauchery of imagination, with wile and wit. We are lucky to have him."—Kit Robinson

"It’s not enough to be in love. These poems want to lose themselves in you. In Facing You, Uche Nduka conjures up the kind of romance that ends up in movies and songs––a love so strong you dissolve into your lover. At the same time, Nduka’s short and leaping phrases play hard to get. Just when you think you might be closer to making contact, he pivots, leaving you to feel like a rug has been pulled out from under you. What do we make...

Praise for Facing You:

"Nduka's erotic poems are gentle, tender, and, for the most part, quite hot. … but such moments are surprising when they crop up, piquant or musty turns, unexpected and emphatic shots of physical punctation. More often, the poems’ erotic elements are part of a more general heightened, sexualized atmosphere, a kind of free-floating horniness or 'beautiful confusion' in which the desire to merge with the beloved is inextricable from the desire to create. … Facing You is by no means entirely erotica; it touches on a wide range of experience, including Nduka’s own Nigerian-American identity and the social crises of our moment."—Mark Scroggins, Hyperallergic

Praise for Uche Nduka:

“To my reading, all of Nduka’s work is Surreal, and in this sense it is all political. The real is not paraphrased or commented on by Surrealism but convulses through it. The real in Nduka’s work carries the resonance not only of his Nigerian identity and experience of political violence but also the dislocation of the émigré and the frightening power relations of intimacy as mapped onto the lyric.”—Joyelle McSweeney, Boston Review

“He has of necessity had to find in poetry a means of survival and a method for fighting back. No way to set aside the scars, the disappointment, and the social rage, and go on to write a poetry of reflective personal feeling. Also, it would seem, no way straightforwardly to attempt to describe or depict the immensity of what has been experienced and felt—writing would have to take you beyond that to a more total or global sense of engagement with language as defiance, as hope, hope not for a probably impossible political solution to the chaos, but hope for a present, in writing, in which sanity and endurance prevail, even as the pain is confronted head-on. At any rate, this seems to be what Nduka’s writing does. Poetry as path or weapon—as life.”—Norman Fischer, Jacket2

“Nduka is always a bold writer, but more than anything he’s an incredibly smart and precise one. Nduka is a writer who shows his work and still surprises you.”—Gabriel Ojeda-Sague

ISBN: 9780872868304

Dimensions: unknown

Weight: unknown

110 pages