Zen Sourcebook

"[T]he Zen Sourcebook [is] an excellent cross-section of some of the most important texts in Chinese, Korean, and Japanese Zen. The translations [are] well chosen from among the best available. . . . This is an excellent sourcebook for both beginners and serious practitioners." —John Daido Loori, Abbot, Zen Mountain Monastery

"This is an excellent book . . . to be commended for its wide coverage; the Korean material is especially hard to find. . . . The short introductions to the selections are lucid, informative and focused, providing a good framework through which to understand the readings. Anyone who wants to work directly with translations of the primary texts, rather than textbook summaries, will find this book the most convenient available." —Brook Ziporyn, Northwestern University

"The timeless words of Zen masters running the gamut from the well-known (Dogen and Bodhidharma) to the more obscure (miscellaneous Chinese nuns) can be found in [this book]. . . The teachings, which come in many forms—poetry, letters, and artwork among them—serve as primary texts, while pithy introductions provide historical background on topics ranging from the declining influence of Zen masters in seventeenth-century Japan to Korean master So Sahn's famous army of five thousand monks.  This collection of Zen delights offers plenty of teachings to sink your teeth into, including this Blue Cliff Record koan: "A monk asked Yun-men, 'What is the teaching that goes beyond Buddhas and Patriarchs?'  Yun-men said, 'A sesame bun.'"  Bon appetit." —Tricycle

"[A]n invaluable collection of teachings from China, Korea, and Japan, revealing Zen's brilliant use of language to evoke the Buddha's realization." —Buddhadharma
"This sourcebook seem to me to be a uniquely rich and valuable treasure trove."—Rachel Hadas, Department of English, Rutgers University
"I find that students from all academic backgrounds are able to access the material, yet it is scholarly and rigorous. I particularly appreciate the inclusion of the nuns' poetry, which other collections (such as The Roaring Stream) tend to ignore." —Alison Jameson, Department of East Asian Studies, University of Arizona