History, Religion, and Violence

This book provides an in-depth analysis of public theatrical displays and their significance in the English Middle Ages and Renaissance, emphasizing historical and religious themes.

In History, Religion, and Violence, Professor Davidson examines the intricate relationship between public theatrical displays and their reflection of societal developments during the English Middle Ages and Renaissance. This comprehensive work compiles twelve previously published articles that delve into the historical and religious dimensions of early English theatre, alongside an original essay that specifically analyzes Marlowe’s Doctor Faustus in the context of the Papacy. Davidson's insights illuminate how these theatrical expressions served as a mirror to the cultural and political landscapes of the time.

The book's exploration of Renaissance drama is particularly noteworthy, as it juxtaposes Shakespeare's works against the backdrop of the era's complex political and religious currents. By doing so, History, Religion, and Violence not only highlights the significance of theatrical performances but also underscores how they were influenced by and, in turn, influenced societal norms and beliefs. Davidson's scholarly approach sheds light on the multifaceted nature of drama during this transformative period.

Additionally, the treatment of medieval drama is categorized into two main themes: the exploration of sacred violence within mystery plays and the examination of cultural contexts surrounding early English drama. The first theme addresses the role of sacred violence in these performances, while the second investigates the influence of Carnival spirit and Doomsday imagery in the pageant wagons of Coventry and Chester, as well as their representations in visual arts. Overall, this book offers a rich tapestry of insights into the interplay between history, religion, and violence in the realm of theatre.