Cinepoetry

Imaginary Cinemas in French Poetry

Christophe Wall-Romana author

Format:Paperback

Publisher:Fordham University Press

Published:2nd Mar '15

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Cinepoetry cover

Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.
In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.
What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.

"Wall-Romana uncovers a not previously recognized genre in French literature: cinepoetry: a modernist poem that responds to challenges the cinema posed to writing. This book traces the new genre from Mallarme's Une Coup de Des to contemporary work, revealing how poets have found inspiration in cinema's visuality, control of movement and projected light -- and in the process discovered new forms for poetry." -- -Tom Gunning University of Chicago

ISBN: 9780823245499

Dimensions: unknown

Weight: unknown

504 pages