Voluptuous Philosophy
Literary Materialism in the French Enlightenment
Format:Hardback
Publisher:Fordham University Press
Published:15th Jan '07
Currently unavailable, and unfortunately no date known when it will be back
Eighteenth-century France witnessed the rise of matter itself—in forms ranging from atoms to anatomies—as a privileged object of study. Voluptuous Philosophy redefines what is at stake in the emergence of an enlightened secular materialism by showing how questions of figure—how should a body be represented? What should the effects of this representation be on readers?—are tellingly and consistently located at the very heart of 18th-century debates about the nature of material substance. French materialisms of the Enlightenment are crucially invested not only in the development of a sophisticated theoretical apparatus around the notion of matter but in the production of specific relationships between readers and the "matter" of the texts that they consume.
How, the book asks, did the period's fascination with a markedly immaterial and ephemeral event—the reading of works of fiction—come to coincide with what appears to be a gradual materialization of human subjects: men and women who increasingly manage to envision themselves transfigured, as the century wears on, into machines, animals, and even, in the work of the Marquis de Sade, tables and chairs? In what way did the spread of new philosophies of matter depend upon the ability of readers to perceive certain figures of speech as literally and immediately true—to imagine themselves as fully material bodies even as they found themselves most deeply compelled by disembodied literary forms? More broadly, in what sense does the act of reading literature alter and transfigure our perceptions of what is, and can be, real?
Voluptuous Philosophy articulates the gradual coming into being of literature as a distinct arena of textual production with the rise of an enlightened reader who remains abstracted from the bodily symptoms that any given piece of writing may induce in him. The very definition of "the literary" as an autonomous field, this book suggests, may, ironically, be dependent upon the simultaneous construction of a material world that remains fully immune to its effects.
In her perceptive and theoretically sophisticated study of eighteenth-century French varieties of materialism, Natania Meeker explores the place of figural language and poetic representation in Enlightenment debates about matter and bodies.---—Mary Terrall, University of California, Los Angeles
A compelling and brilliant addition to the hermeneutics of Enlightenment philosophy.---—Mitchell Greenburg, Cornell University
Meeker's reading of a number of key texts, the productive Lucretian interconnections of figure, pleasure, will and substance present us with a new landscape which can and should change our understanding of how the Enlightenment project developed. Meeker's own beguiling style almost disguises the subtlety and difficulty of the concepts she puts into play and the nuances she teases from the material.---—Philip Stewart, Duke University
Examines the relationship between literature and the act of reading and the emergence of French materialist philosophy in the 18th Century. * —The Chronicle of Higher Eduction *
...an intriguing and theoretically sophisticated study of materialist thought in the French Enlightenment. * —Eighteenth-Century Life *
ISBN: 9780823226962
Dimensions: unknown
Weight: unknown
336 pages