Miriam Hansen

This issue pays tribute to the influential work of Miriam Hansen, exploring her impact on film history and theory.

This issue is dedicated to the thought and writing of Miriam Hansen, a pivotal figure whose contributions have significantly shaped film history, theory, and the politics surrounding mass culture and the public sphere. The collection highlights the areas where she made her most substantial impact, particularly focusing on early cinema and its reception. It also delves into the legacy of vernacular modernism, with essays that explore how these concepts resonate within contemporary discussions of Russian and Chinese cinemas.

In addition to essays that reflect on her influence, this issue includes extensive commentary on Hansen’s groundbreaking book, Miriam Hansen. This commentary expands upon the book’s exploration of the enduring legacy of the Frankfurt School, providing insights into how her work continues to inform current debates in film studies and cultural theory. The essays not only celebrate Hansen's contributions but also engage critically with her ideas, highlighting their relevance in today's cultural landscape.

Overall, this collection serves as both a tribute to Miriam Hansen's pioneering scholarship and a platform for new discussions that stem from her work. By revisiting her insights, the issue encourages readers to consider how her legacy informs our understanding of cinema and its broader implications in society.