Melville's Short Fiction, 1853–1856

This comprehensive study explores the short fiction of Herman Melville from 1853 to 1856, revealing hidden depths beneath seemingly simple narratives.

This study offers an in-depth examination of the sixteen short works that Herman Melville crafted between 1853 and 1856, primarily published in Harper’s and Putnam’s magazines. The author, Dillingham, focuses on Melville's stylistic choices, positing that the writer created an illusion of superficiality that often conceals deeper meanings. This approach allows readers to appreciate the complexities of Melville's narratives, which may otherwise be overlooked due to their seemingly simple surface.

Dillingham explores the fundamental motivations behind Melville's writing during this period, suggesting that the author intentionally masked unsettling themes to align with the expectations of the magazines he contributed to. By adopting a tone of almost trivial congeniality, Melville was able to navigate the publishing landscape of his time while embedding significant insights into his stories. This nuanced analysis reveals how the context of publication shaped Melville's creative output.

Moreover, Melville's Short Fiction, 1853–1856 delves into the cultural references woven throughout Melville's work, presenting a rich tapestry of contemporary allusions that enhance the understanding of his stories. Dillingham also discusses the interplay between Melville's personal experiences, including his friendship with Nathaniel Hawthorne, and the themes present in his short fiction. This connection highlights the emotional struggles and artistic tensions that influenced Melville's writing, offering readers a comprehensive view of his literary evolution during this pivotal period.